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Andrew Bird — Tables And Chairs Tab

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			     Tables and Chairs — Andrew Bird
———————————————————————————————————————————————————————————————————————————————
Tabbed by: rvaen
Email: andy@lazysranch.org

the glory of this song is not in the guitar, but in the singing along. beautiful, 
song. Of course, I recommend listening to the song to make sense of this tab. Nothing 
for listening to the artist.

Tuning: standard

riff 1       D
e|———————————————2—————————————————————————————————————————————————————————————————|
B|——————————————3——————————————————————————————————————————————————————————————————|
G|—————————————2———————————————————————————————————————————————————————————————————|
D|——4——4——5——0—————————————————————————————————————————————————————————————————————|
A|—————————————————————————————————————————————————————————————————————————————————|
E|—————————————————————————————————————————————————————————————————————————————————|

riff 2
   Em    G
e|—————————————————————————————————————————————————————————————————————————————————|
B|—————————————————————————————————————————————————————————————————————————————————|
G|—————————————————————————————————————————————————————————————————————————————————|
D|—2———————————0———————————————————————————————————————————————————————————————————|
A|————2——————2—————————————————————————————————————————————————————————————————————|
E|——————0—3————————————————————————————————————————————————————————————————————————|

riff 3
   D      G9 kinda. or Dsus/G
e|———2—————2——————————————————————————————————————————————————————————————————————————|
B|———3—————3——————————————————————————————————————————————————————————————————————————|
G|———2—————0——————————————————————————————————————————————————————————————————————————|
D|—0———————0——————————————————————————————————————————————————————————————————————————|
A|————————————————————————————————————————————————————————————————————————————————————|
E|———————3————————————————————————————————————————————————————————————————————————————|

riff 4
   D       D       A#      A       D     D       A#      A       D
e|———2—3—5———2—3—5—6—5—3—2—0—3—2—0—2—3—5—————0—2—3—2—0—————6—5——————|
B|———3———————3—————————————————————3———————3———————————3—2—————2—3——|
G|—————————————————————————————————————————2————————————————————————|
D|—0———————0———————————————————————0—————0——————————————————————————|
A|——————————————————————————————————————————————————————————————————|
E|——————————————————————————————————————————————————————————————————|

Here are the two different progressions that occur after riff 4:
   D   A# A     D  DM7  Bm  G
e|—2———0——0———|—2———2———2———3————————————————————————————————————————————————————————————|
B|—3———3——2———|—3———2———3———0————————————————————————————————————————————————————————————|
G|—2———3——2———|—2———2———4———0————————————————————————————————————————————————————————————|
D|—0———3——2———|—0———0———4———0————————————————————————————————————————————————————————————|
A|—————0——0———|—————————2———2————————————————————————————————————————————————————————————|
E|——————————————————————————3————————————————————————————————————————————————————————————|
NOTE: i am unsure of which type of DM7 and G he uses. it may just as easily be:
   D  DM7 Bm G
e|—2——2———2——3—————————————————————————————————————————————————————————————————————|
B|—3——3———3——3—————————————————————————————————————————————————————————————————————|
G|—2——2———4——4—————————————————————————————————————————————————————————————————————|
D|—0——0———4——5—————————————————————————————————————————————————————————————————————|
A|————4———2——5—————————————————————————————————————————————————————————————————————|
E|———————————3—————————————————————————————————————————————————————————————————————|

in this scenario, the DM7 is a tad trickier, but sounds better, i think.
I wrote out the G as a bar chord because i can't tell from the recording which he uses, 
they both work equally well.

| /  slide up
|   slide down
| h  hammer—on
| p  pull—off
| ~  vibrato
| +  harmonic
| x  Mute note

[1]
if we can call them friends we can call them on red telephones
[1]
and they won't pretend that they're too busy or they're not alone
[2]
if we can call them friends we can call
[2]
holler at 'em down these hallowed halls
[2]
but we can't let the human factor fail to be a factor at all

[3]
don't
don't you worry
          [3]
about the atmosphere
or any sudden pressure change

          [3]
'cause I know
that it's starting
        [3]
to get warm in here
and things are
                 [3]
starting to get strange

        [3]
and did you
did you see how
         [3]
all our friends were there
drinkin' roses from the can

[3]
how
how I wish I
      [3]
I had talked to them
and wished they
             [3]
fit into my plan

[riff 4]

D                    A#              A  D
         and we were tired of being mild
       A#            A
oh so tired of being mild
        A#  A
we were so tired

                    D                   DM7
I know we're gonna meet someday in the crumbled financial institutions of
      Bm   G
this land
              D
there will be tables and chairs
DM7                     Bm
pony rides and dancing bears
                   G
there'll even be a band
              D                          DM7
'cause listen after the fall there'll be no more countries
   Bm                G
no currencies at all
             D
we're gonna live on our wits
DM7
throw away survival kits
Bm                         G
trade butterfly knives for adderal
                D
and that's not all
DM7
woah!
               Bm                G
there will be snacks, there will
D      DM7 Bm  G
there will be snacks!

[riff 4]
D                    A#              A  D
         and we were tired of being mild
       A#            A
oh so tired of being mild
        A#  A
we were so tired

   D         DM7
So don't you
           Bm
don't you worry
           G
about the atmosphere
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