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The Hold Steady — Sweet Payne Tab

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			     SWEET PAYNE — The Hold Steady
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Tabbed by:gushingblood
Email:mattmcgrath1@hotmail.co.uk

Tuning:Standard

From "Almost Killed Me"
"I always dream about a unified scene"


A
Payne avenue lives up to its name some nights it's painful and strange.
D
The whole city seemed sane in the day.
N.C.
But some nights it seems distressed and deranged.
A                        F#m
The east side is where we met with those guys
     C#m                              D
that said they'd get us high but that changed.
            E
Now they're down in the basement.
          D
They're bashing out his brains.
A                                E
Kids are getting cut up with the motorcycle chains.

A
St. Paul had it all when we called.
D
They were maxing out on medicine.
A
A shaved head. The blood on the bed.
D
Those guys you'd recognize.
              E
They had the same tattoos as gideon.
A                    F#m
Strong stuff and she had more than enough.
         C#m                       D
She was slumping over smiling and sailing off with cherubim.
    E                         D
the cityscape skins are kinda kicking it again.
A                   E
They're gonna show these kids some discipline.

F#m
Gideon's been living up in bay city, michigan.
N.C.
He's been workng at the michelin.
                                                  E E E E  F#m
He got messed up with some messed up magicians.

We got so highsome nights michigan looked just like a mitten
                          E E E E F#m
some nights we got fried.

Strung out on residuals and visuals and laser shows.

Reach into the speaker and try to hold on to the quarter notes.

e|———————————————————————————————————————————————————————————|
B|—7—9——10————12——14——14————19—17—17—17—17—19—17—14—12—10—10—|
G|———————————————————————————————————————————————————————————|
D|———————————————————————————————————————————————————————————|
A|———————————————————————————————————————————————————————————|
E|———————————————————————————————————————————————————————————| x1

e|———————————————————————————————————————————————————————————|
B|—7——9——10————12——14——14————19————17————14————12————10——————|
G|———————————————————————————————————————————————————————————|
D|———————————————————————————————————————————————————————————|
A|———————————————————————————————————————————————————————————|
E|———————————————————————————————————————————————————————————| x3

A
I always dream about a unified scene.
D                      E
I always dream about a unified scene.
A
There's james king and king james and james dean.
D                              E
At a table in the corner of my unified scene.
A
They want a double order of love and respect.
D                                       E
They said they just got back from up in hostile, massachussetts.
A
Girl I've seen your friend,she looks nothing like jada pinkett.
D                                  E
I think you got something in those cigarettes.

F#m                     A
Gideon was living up in south minneapolis.
           E             B
He was the cowboy on the crosstown bus.
F#m                            A              E                       B
All the little phillies at the yukon club are gunning for the goldrush.
F#m                          A
We got tangled in electrical fences.
E                              B
We got wrapped up in the indian fringes.
F#m                            A              E
All the little phillies at the yukon club are gunning for the goldrush.
B
They just can't get enough.

Solo:
e|——————————————————————————————————14————12—————————————————————————————————————|
B|—12b14————17————14——————————————————————————————15————14——15p14p12h14—15—14—12—|
G|———————————————16—14——14h16p14—————————————————————————————————————————————————|
D|———————————————————————————————————————————————————————————————————————————————|
A|———————————————————————————————————————————————————————————————————————————————|
E|———————————————————————————————————————————————————————————————————————————————|

e|————————————————————————————————————————————————————————————————|
B|————————————————————————————————————————————————————————————————|
G|——————14——————14——————14——————14——————14——————14—16—16b17b16p14—|
D|—14h16———14h16———14h16———14h16———14h16———14h16——————————————————|
A|————————————————————————————————————————————————————————————————|
E|————————————————————————————————————————————————————————————————|

e|————————————————————————————————————————————————————————14———|
B|—17p14——17p14——17p14——17p14——17p14——17p14—14h15h17—15—14——17—|
G|——————14—————14—————14—————14—————14—————————————————————————|
D|—————————————————————————————————————————————————————————————|
A|—————————————————————————————————————————————————————————————|
E|—————————————————————————————————————————————————————————————|

That's about 2/3 of the end solo. Quite frankly it's very difficult and tedious to tab. 
may come back to it on a rainy day, but it's fairly easy to improve.

END
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Tablature Legend
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 h   — hammer—on
 p   — pull—off
 b   — bend
 /  — slide into or out of (from/to "nowhere")