U2 — Exit Tab

#——————————————————————————————————PLEASE NOTE—————————————————————————————————#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#——————————————————————————————————————————————————————————————————————————————##
From: mbosb1@MFS02.cc.monash.edu.au (Mark Osborne)
Subject: U2 — EXIT (live version)


	This, as opposed to the version archived at NEVADA is closer to the
live recording as performed on the 'Rattle & Hum' video. If anyone knows how
to post to NEVADA, could they please do that to this posting.


	EXIT — U2

BASS INTRO

A——7—7—7—7—7—7—7—7|—7—7—7—7—7—7—7—7|——3—3—3—3—3—3—3—3|——

A——10—10—10—10—10—10—10—10——
(continue this pattern throughout song)


Edges part (including intro)
—> begin this after playing bass pattern twice — in fact comes in half way
through the last bar (the G's on fret 10)


 (trip.)	    (trip.)
e———————|———|————————————|——|—————|
B———————|———|————————————|——|—————|
G———————|———|————————————|——|—————|
D——9—8—7|———|————————————|——|—————|
A———————|—10__10——9—10—9—|—7__7———|
E———————|———|————————————|——|—————|

  (harm.)
e————————————————————————————————————————————|
B————————————————————————————————————————————|
G————————————————————————————————————————————|
D——————12——————12————12—————12———12———12—————|
A——12——————12——————12————12————12———12——12———|
E————————————————————————————————————————————|

e———————————————————————————————————————————————|
B———————————————————————————————————————————————|
G———————————————————————————————————————————————|
D———————————————————————————————————————————————|
A———————————————————————————————————————————————|
E———0—0—————————————————————0—0—————————————————|


Verse:


You know he got the cure, you know he went astray, he used to
stay awake to drive the dreams he had a way

(harm.)					(not harm.)
e—————————————————————————————————————————————————————|
B————————————————————————————————————————————(trip.)——|
G—————————————————————————————————————————————————————|
D——————12——————12—————12—————12————12————————9—8—7————|
A——12——————12——————12—————12————12————12——————————————|
E—————————————————————————————————————————————————————|

   He wanted to believe			in the hands of love
e—————————————————————————————————————————————————————|
B—————————————————————————————————————————————————————|
G—————————————————————————————————————————————————————|
D—————————————————————————————————————————————————————|
A——10——————————————————————————9—10—9—7———————————————|
E—————————————————————————————————————————————————————|


the hands of    Love
	     (P.M — now and again)
e—————————————————————————————————————————————|
B—————————————————————————————————————————————|       (repeat this rhythm throughout
G——————————————————9—X———————9—9—X————————————|        rest of song, keeping basic Em,
D—————————————————————————————————————————————|        and ad.lib. this pattern for
A—————————————7—7———————7—7———————————————————|        Edge's wild solo section —noise)
E—————————————————————————————————————————————|

**Strumming pattern for rhythm shown above**
	The effect can be gained by holding the pick with only about 1
millimetre clearance between the pick and the index finger. Instead of
actually plucking, hit the string at about a 45 degree angle — don't worry
if the string doesn't really sound, Edge doesn't seem to. What you're
basically doing is thumping the strings for all they're worth, and
expecting a far from clean sound.


	—If more help is needed on this, such as "what the hell is this guy
talking about", mail me, and I'll be happy to oblige.